Gretchen Yee knows that the way to fit in at her alternative arts focused high school is to stand out, but she can’t quite manage to stop getting noticed for the wrong things. In fact, her problems just keep piling up: Boys baffle her. All of them, really – but especially Titus. Her drawing teacher is less than appreciative of the comic book style art she favors. Then there’s the news that her parents are getting a divorce, and her dad is moving out.
In a moment of frustration, Gretchen wishes that she could be a fly on the wall in the boys locker room, to see what they are like when they aren’t around girls. Maybe then she could at least figure boys out. Then she gets her wish. Literally.
I can’t overemphasis how weird this book is. Because yes, it’s a remake of metamorphosis, set in an alternative high school in New York City. It’s also fun and quite brilliant, tackles bullying, friendship, and of course dealing with crushes, lust, and hormones.
Needless to say, Gretchen spying on the boys is hardly an appropriate thing to do, but she’s a fly o the wall and therefore has remarkable peripheral vision and she’s trapped in the room – not peeking through holes in the wall. Most importantly, Lockhart handles the situation really well, both in terms of Gretchen’s decisions and how the boys are treated by the narrative.
May Amelia is the only girl in her family, and she just so happens to also be the only girl among the pioneers who have settled along the Nasel River in the new state of Washington. Being the only girl isn’t always easy, especially when her mother keeps trying to turn her into a Proper Young Lady, and her grandmother finds fault in everything she does. But no matter how many scrapes she gets into, she’s still the only May Ameilia they’ve got.
May Ameilia’s voice is really what makes this book work as well as it does. Her syntax, phrasing, and perspective transports readers to a different time and place. Inspired by a journal Holm found that was kept by one of her own ancestors, the novel is told in first person and covers a year or so in May Amelia’s life. Solid and entertaining, Our Only May Amelia isn’t exactly groundbreaking, but it manages to be unique and memorable.
I also want to note that there’s not any significant discussion of the impact that pioneer settlement had on the people who were already living in the area when the settlers came, as it’s told from May Amelia’s point of view. The narrative is respectful of the rare Native American characters in the book, but of course not everyone in the story is. I didn’t see anything that makes the book inappropriate for youngsters (although I’m also hardly the best judge) but a follow-up discussion with readers would be appropriate if possible, especially considering how rare Native American voices are in most library collections.
Nothing newsworthy happens in Lily, Arkansas. Families scrape by – or don’t, and leave their loved ones to grieve. But reporters begin to descend upon the small town when someone claims to have spotted the Lazarus Woodpecker, previously thought extinct. For seventeen year old Cullen the return of the Lazarus Woodecker is merely a source of irritation and occasional amusement. Until his younger brother, Gabriel, disappears and Cullen is left wondering if Gabriel will ever manage to find his way back home as well.
Like a lot of coming of age stories of this type, Where Things Come Back felt like it was trying too hard to be clever and introspective. Also, the split in narrators was confusing (I suspect it was partly meant to be) and the missionary’s point of view felt forced rather than authentic. I know a lot of people loved it (it did win the Printz award after all) but I was more than happy to send my copy back to the library.