Posts Tagged ‘animals’
When Lulu, her parents, and her cousin, Mellie, spend a week in a cottage by the sea they discover an unexpected guest – the kind that walks on four legs.
A cute story that is designed to appeal to the large number of newer readers that love animals. Each of the characters has personality, and while the plot may be unlikely, the day to day discoveries and frustrations and interactions ring true.
It’s not the most spectacular writing, but it’s far from stilted, which is all too common in when books for this age group.
A biography of Sally Ride, written at about third grade level.
Unfortunately, this particular easy reader does all kinds of things that are common to easy readers that I hate, especially nonfiction easy readers.
The first is that it’s just not very well done. The sentences make sense, but they aren’t memorable either. The illustrations lack elegance and just don’t flow. Worse, the practice of using photographs, and then drawing images of Sally Ride into them rather undermines the idea that this is a real person. It’s also written in the first person, as if Ride herself was talking to us, despite the fact that Sally Ride was a real person who died recently and wrote words of her own that could be quoted.
It’s not so awful that I wouldn’t buy it for the library, especially considering the topic, but it’s the kind of book that makes me wish we had higher standards for beginning readers.
When Shi-shi-etko and her younger brother, Shin-chi, are sent to a residential school, they have to leave not only their parents behind, but also the names their parents gave them as well. The siblings are sent to separate dormitories and not allowed to speak to each other, or in their native language. But before they are forced to part, Shi-Shi-etko gives Shin-chi a small toy canoe, to remind him of the family who loves him, and that one day will all be together again.
This is not a happy book, but it is a beautiful book. A lovely, sad story about colonialization and destruction, and strength and importance of family. All told with gorgeous text and illustrations.
Stanley the Hamster spends a busy day on his farm. With help from friends, he manages to get everything done.
(ok, for the record, unbound galleys of picture books are weird. now, moving on…)
A simple, cute story, that condenses the time needed to grow and harvest, but has bright pictures and the right amount of detail for small children.
Blue on blue.
White on white.
A peaceful, sunny day is interrupted by rain and thunder and lightning, but before the day is done, the sun comes back to say goodbye and goodnight.
It’s a very nice book, and decent enough poem, and I love Krommes’ style (with the exception of some of the peoples’ facial expressions).
“Mommy! Mommy! Where is my mommy?” a little bunny cries, as they ask all the animals they encounter if they are their mother.
SQUEE! A new Joyce Wan book!
No, this is not a new premise, but Wan’s take on it is excellent and fresh and adorable, as always. Wan turns the common trope into a guessing game, as each adult animal responds to the bunny by saying “No, I am a [chicken/pig/horse] and my baby is a…” with the answer on the next page, giving little ones a chance to guess and show off. Each answer is also revealed with the use of a clever cut out, creating visual and tactile interest. Plus, for such a small, short book, it does a wonderful job of introducing vocabulary – many board books use words like “chicken” but fewer use “foal.”
I’ve reviewed another in this series and everything I said about In My Forest is true of this book as well. The sense of place is not quite as well defined here, but that’s only because this book focuses more on sustenance (clover, strawberries, and cool water) than on surroundings. And since that’s a decision that makes sense for a series of board books, and creates a richer experience over the course of the series, I can’t fault it or the creators for doing so.
Yes, I know that your library probably has more books about colors than you know what to do with, but you’ll want to make room for this one, I promise. Zuckerman’s brilliant, bright, and detailed photographs really make this book stand out, even if it does sometimes feel like half the animals are birds of one type or another.
Piggie has a surprise for Gerald. The only problem is that it’s not ready yet, and waiting isn’t easy. But some surprises are worth waiting for.
Another wonderful Piggie and Elephant book from Mo Willems. I especially liked the way the word balloons grew so big that they became part of the action, rather than just text. And, of course, Willems’ ability to surprise us all with the unexpected, even when we know it’s coming.
Whether sad or happy, naughty or nice, a small elephant is always loved.
This is hardly a unique premise, but it’s not like there’s never a demand for new books for parents to give their little ones, telling them they love them. Dodd’s illustrations are adorable and the sparkle throughout the book – ranging from a few glittering stars to a large shiny lake – help make it memorable. Which is exactly what one looks for in this kind of book.
A sad little girl finds something surprising in her reflection.
The blurb on the back of the copy I read claims that the ending to this story “provides a gentle reminder that every action has consequences.”
My friends, the twist at the end of this story is no “gentle reminder.” It’s a bit of a mind bender actually, seeing as how [spoiler alert! – it’s unclear if it’s the original little girl or her reflection that pushes the mirror over and makes the other disappear]. All of which makes Mirror a great example of why I love Suzy Lee’s books AND why I think they are a fantastic example of speculative fiction in picture books. (Yes, these two opinions are very related).
Having established that There Are Cats in This Book (or wait, are there????), Schwarz and her feline creations must now determine if this new book also contains…a dog!
These books are so clever and funny, and do such a great job of breaking the fourth wall, that it makes me incredibly sad that they are not all still available to order for the library.
designed by Sara Gillingham
illustrated by Lorena Siminovich
The deer finger puppet in the center, and the over widening cut-outs around the deer, are what first catch little ones’ attention. (And mine, I must admit.) But Gillingham and Siminovich have managed to create a book that is much more than just that. The text is simple and straightforward, but never awkward, and the illustrations are full of texture and interest, yet soft and sweet. Most notable is the sense of place that Gillingham has managed to create simply by emphasizing the location of the deer as being in the forest, in winter, and combining that with the puppets and cut-outs.
A young girl and her family prepare to celebrate the New Year.
What makes this book remarkable is all the ways in which it isn’t – all the ways that it treats celebrating the Lunar New Year as important and special, but also just as normal or typical as any Western holiday. There’s no introductory explanation of who this family is or where they live or when the Lunar New year is in relation to the Western calendar. It’s simply a listing of all the things that make this holiday special. Just as one might find in a typical (US) book about Christmas or Thanksgiving. By centering the experience of the family in the book, rather than the experiences of others, Lin fosters connection and recognition rather than distance and detachment.
Lin’s brightly colored illustrations fit the celebratory tone of the story. They also help to explain and define terms and actions that might be unfamiliar to some readers – without requiring awkward pauses that would interrupt the flow of the story, or a scholarly tone that might depersonalize the festivities.
“It’s winter! What will Baby see?”
All kinds of wintry things, underneath large flaps. Good book, and large sized flaps are the best, but there’s nothing super memorable here, and I’m getting a little annoyed with the fact that, in this particular series by Katz, “Baby” is always white.
Recommended, with reservations.
When disaster strikes the asteroid colony of Phoecea, it’s up to Jane Novio, manager of the Resource Commission, to figure out the logistics of how the colony is going to survive. With Jane soon dealing with a rogue AI, probable sabotage, and the Martian mob – all on top of a colony threatening water crisis and the aftermath of a tragic accident – the question quickly becomes if Phoecea will remain intact and functioning, not how.
This wasn’t a book that I fell into quickly, but when I did fall, I fell hard. It’s not just that Jane is both competent and interesting, and old enough to have experience and history. I also desperately loved how much the story was aware of how vital many of the mundane things we take for granted are. Living in California, especially now, the importance of access to potable water is something that is increasingly hard to ignore, and so I found the underlying crisis both relevant and believable. The supporting cast is great as well, and I’m realizing that I’m a sucker for good AI stories.
In very few – but well chosen – words and with soft but expressive pictures, Quay and Walker show the ups and downs of playing with friends, and the joys of playing pretend.
I don’t know if I’m just looking in the wrong places, but I have a hard time finding books for children that focus on the dramatic play they engage in every day. With the exception of Antoinette Portis’ excellent picture books, the act of imaginative play almost feels like the preschool set’s version of Fight Club: first rule of playing pretend, don’t talk about playing pretend. Which is very odd, not only because I have memories of picture books and easy readers that talked about it when I was young (perhaps it’s just books for toddlers in which the topic is lacking?), but also because it’s extremely common for young children to preface their play with “but just for pretend.”
Which is a very long winded way of saying: when I saw this book, I had to grab it. Short and cute, it’s perfect for older toddlers and exactly the kind of book that I’ve been looking for to add to my “imagination” story time.